Media Art | 00:02:07 | 2025

It creates a dynamic worldview where tradition and modernity, nature and humanities, text and body are continuously connected and circulated. The screen starts with K-pop dance, symbolizing the vitality of contemporary Korean culture, and then transitions to classical Buk dance and fan dance, reconstructing the aesthetics of traditional dance within the style of ink painting. The work unfolds around four key images: text (the medium of culture), tree (symbol of life and growth), figure (the subject that carries culture), and dance (the flow and expression of culture). In particular, through the constant transformation of the figure and the Korean script, it demonstrates how language and individuals interact to jointly pass on culture, while giving life to text and simultaneously showing how humans become the extendors of culture. The tree symbolizes the continuity and future potential of Korean culture, growing from a seed to flourishing.

JIN YINUO is currently Ph.D. in Image Art and Engineering at Chung-Ang University, focusing on research topics such as the digital reinterpretation of traditional art, media philosophy and simulacra, generative AI in art, XR, and immersive installations. JIN YINUO’s academic achievements include the paper “New Media Art on the Dissolution of Reality: Based on the Author’s Work ‘Boundary’” and the master’s thesis “A Study on the Implementation of Expressionist Ink Painting Video Installation Using 3D Modeling: Focusing on the Author’s Work ‘No Boundary’”. Her works have been exhibited in several international exhibitions, including the 7th Qingdao International Contemporary Art Biennale, the Chung-Ang University Digital Media Art Exhibition, and the Korea-China Media Art Special Exhibition. JIN YINUO’s artistic work explores the fusion of technology and traditional art, presenting a unique perspective on the recreation and expression of traditional art through generative AI and digital techniques.